Edward Dore, Victorian Sand Picture Arreton Church, Isle of Wight 1837

Edward Dore, Victorian Sand Picture - Arreton Church, Isle of Wight - 1837. An original 1837 sand picture, Edward Dore, Arreton Church, Isle of Wight. An unusual Victorian Isle of Wight sand picture made using colourful Alum Bay sand by the celebrated sand painter Edward Dore. The image shows St George Church at Arreton on the Isle of Wight.

The execution in sand is particularly fine, with sharp edges and fine line detail. The sky area is delicately painted in watercolour, as was typical for Isle of Wight sand paintings, and the colour has retained its freshness. The painting is inscribed below by the artist in remarkably minute handwriting. Inscribed: Inscribed lower centre:'Arreton Church, I of W, The "Dairymans Daughter" lies buried here. Happy saint, may we, like thee, be blest.

In life be faithful, and in death find rest. Height (cm): 7.3 Width (cm): 9.7.

Height (inches): 2.87 Width (inches): 3.82. Condition: In good condition for its age, with sand well intact. Some age toning and marks to the card. Please see photos for detail. All artworks come with a Certificate of Authenticity and-if it is a collection artwork-its accompanying collection text or artist biography. This charming work is one of a collection of Victorian sand pictures that we have for sale.

Sand painting is thought to have been introduced to Europe in the 18th-century by travellers returning from the East, inspired by the ancient Japanese art of Bonseki. At a dinner party given at Windsor, Zobel was responsible for a table display of unfixed coloured sands, sugars and marble dust arranged under glass. The king was said to have been so impressed by this that he suggested that Zobel find a way to make his compositions permanent, and hence the craft of sand painting was born. Zobel was friends with George Morland, a prominent painter of the'Isle of Wight school', and many of Zobel's 18th-century designs in sand featured animals and country scenes similar to Morland's subjects. The connection between'marmotinto' and the Isle of Wight went deeper however, as the island's geology provided a multitude of coloured sands for painting.

Sand pictures became a popular pastime outside of the royal court from the 1840s onwards, as the tourist industry began to develop on the island. Queen Victoria's decision to build her holiday home, Osborne House, at East Cowes, brought with it an influx of wealthy visitors and a ready market for picture souvenirs. Alum Bay and also Blackgang Chine were the most plentiful sources of coloured sand, with Alum Bay still purported to boast twenty-one different colours of sand. A centre for producing sand pictures was established at Newport, and various artists such as Edward Dore, his brother John of Arreton, and James Neat of Newport, a geologist, took to creating scenes with sand.

Neat also specialised in filling glass jars with coloured sand and arranging it in the form of designs and pictures. Examples of Alum Bay sand pictures can be found in the collections at Osborne House and Carisbrooke Castle, and Queen Mary's collection of Georgian sand paintings are in the Victoria and Albert Museum. If you have a question about a specific artwork, it is helpful if you can please quote the'stock number' listed towards the top of the product description e. JG-347, in order to help identify the work.

Our gallery is exclusively online. Please provide the'stock number' e. JG-347 of the artworks that you are interested in so that we can get them out of storage for you. As all artworks are kept in storage, please note that general browsing is not possible. The Somerset & Wood Guarantee.

This extends from the accuracy of our listings and depth of research, to the diligence of our communication, and the care taken with our packing. We believe that these principles are as important for a low priced artwork as an expensive piece; we are committed to offering affordable art with high'added value' and to keeping our prices as low as possible. Included with your order you will receive. By providing a COA with every artwork, backed by our knowledge and expertise, we are vouching that a work is of the stated age and authorship.

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Somerset & Wood was founded in 2015 near Bath, UK in the beautiful Cotswold market town of Bradford on Avon. Today the Gallery is run by founding owners Ayumi Ellingham and Olivia Nicholls. The Somerset & Wood project grew out of a desire to share our interests in art, history and design, and to champion the sometimes underrated field of British drawings and watercolours. We bring to the project combined professional arts backgrounds, in museums & galleries, art dealership and illustration.

After completing a first class MA in English at the University of Cambridge and an MSc in History of Art with distinction at the University of Edinburgh, our Art Historian, Olivia Nicholls, worked for many years at the National Galleries of Scotland, and subsequently as an independent editor and art historian. Our focus is affordable original British works on paper of the 19th and early 20th centuries-principally in watercolour, ink and graphite. Although our stock is antique, our gallery is exclusively online and provides an inclusive contemporary shopping experience, eschewing the often intimidating environment of more traditional galleries. Notable artists whose work we have handled include Louis-Philippe Boitard, Paul Sandby RA, Thomas Hearne, William Payne, Joshua Cristall POWS, Richard Westmacott RA, Nicolas-Martin Petit, Joseph Powell PNWS, David Cox OWS, William Turner of Oxford, Henry Barlow Carter, Paul Jacob Naftel RWS, Frank Brangwyn RA RWS RBA, Conrad H.

Carelli, Winifred Sandys and Alice Des Clayes ARCA. At the same time, we recognise that value is as much about authentic personal connection as it is about the machinations of the art world.

We have equal interest in researching and bringing lesser-known artists into prominence, in serving collectors of items of local historical interest and in reuniting family members with their ancestors' lost work. We present our large volume of stock in carefully curated collections, which help provide context and tell the'story behind the picture'.

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Spooner Charitable Trust in association with The Wordsworth Trust; Victoria Art Gallery Bath; Leicestershire County Council Museums; Alnwick Castle, Northumberland; Rozelle House and Maclaurin Galleries, Ayrshire. Recently our images have been reproduced in the following publications. National Portrait Gallery'Rowney guide' (updated online, 2019). Huw Lewis-Jones,'Sea Journal', (Thames & Hudson, London 2019). Virginia Museum of Fine Arts,'A Return to the Grand Tour, Microcosmic Jewels from the Collection of Elizabeth Locke' (Richmond VA, 2019). Orders are dispatched Monday to Friday, excluding local and national holidays. All items are packed carefully and securely in high quality packaging. In our experience, it is extremely rare that items are lost in post but sometimes there are delays in the postal service which are beyond our control. We thank you for your patience and understanding.

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