This is the process: first, Rizzi makes his print (he prefers silk-screen and lithography) in the traditional manner, combining as many as fifteen colors to achieve emphasis - a complex job in itself; then he cuts out the tiny components of his compositions - cars, people, buildings, etc. Each individual piece (and there may be dozens in a single print) is then adhered above a second impression of the identical print using double faced mounting tape.These cutouts may be raised 1/8", 1/4", or 3/8 above the flat print, adding a richly sculptural sense of movement and playfulness to the already vibrating image. It is hard to imagine the hours of meticulous care required to hand-cut and then adhere a single print, let alone an edition of 99 impressions. Some of the excitement of Rizzi's prints is lost in color photographs that can only hint at their depth and impact. His prints must really be seen firsthand to be enjoyed most fully. Born in New York City, Rizzi began making three-dimensional prints during his senior year as an art student at the University of Florida and has been winning awards for his prints ever since. Like Miro, Debuffet, Klee, and Picasso - the artists whom Rizzi admires most and with whom he feels a kinship of spirit - Rizzi enjoys experimenting in a variety of media. His love of freedom expresses itself in the topsy-turvy jumble of his crowded street scenes, in his fresh approach to color, and inhis choice of artistic projects. The item "James Rizzi Big Brother 3-D Construction Lithograph" is in sale since Tuesday, August 12, 2014. This item is in the category "Art\Mixed Media Art & Collage Art". The seller is "ok4art2010" and is located in Dallas, Texas.
This item can be shipped worldwide.