California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50

California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50
California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50

California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50

For sale is an original signed Limited edition mixed media piece by the well-known Los Angeles California contemporary artist Amanda Ross-Ho b. This piece was acquired by Ed Baynard the well known contemporary New York artist who passed away last year. This came from his estate. This piece came from Invisible Exports New York City in their July 9, 2009 show. We have included a picture where you can see this piece up on their website for that show.

It was curated by Shamim Momin. Momin is an American art director and curator of contemporary art. [1] Momin is head of the Los Angeles Nomadic Division, a non-profit art organization in Los Angeles, California.

She is also an Adjunct Curator for the Whitney Museum of American Art where she co-curated the 2008 and 2004 Whitney Biennial exhibitions. This piece was done as a limited edition of 50+10 artists proofs for their Artist of the Month Club. It is constructed of various mixed media pieces with latex paint on a cut piece of pegboard. Included in the sale is the certificate of authenticity for this piece marking it number 9 of the edition of 50.

The certificate from Invisible Exports is signed by the artist as well as the artwork which is signed by the artist on the reverse. Please see all close-up detail pictures as they are a very important part of our description. This is a very limited edition piece from a well-known rising California contemporary artist. 1975, lives in Los Angeles. 2006 MFA, University of Southern California, Los Angeles, CA.

1998 BFA, School of the Art Institute of Chicago, Chicago, IL. 2017 Amanda Ross-Ho, Bonner Kunstverein, Bonn, Germany. 2016 UNTITLED PERIOD PIECE, De Vleeshal, Netherlands. Eternal Flame, The Pit, Los Angeles, LA.

2015 HOW TO REMOVE DARK SPOTS, Praz-Delavallade, Paris, France. 2014 The Suburban Opening: Amanda Ross-Ho, Museum of Contemporary Art Cleveland, Cleveland, OH. WHO BURIES WHO, The approach, London, UK.

2013 CRADLE OF FILTH, Shane Campbell Gallery, Chicago, IL. GONE TOMORROW, Mitchell-Innes and Nash, New York, NY. THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, Museum of Contemporary Art, Chicago, IL. 2012 TEENY TINY WOMAN, Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (catalog). 2011 TIME WAITS FOR NO ONE, The approach, London, UK.

UNTITLED NOTHING FACTORY (curated by Jade Walker), Visual Arts Center, University of Texas, Austin, TX. 2010 A STACK OF BLACK PANTS, Cherry and Martin, Los Angeles, CA. SOMEBODY STOP ME, Mitchell-Innes & Nash, New York, NY.

Project Series 40: Amanda Ross-Ho: The Cheshire Cat Principle, Pomona College Museum of Art, Pomona, CA. 2009 UNTITLED EVENT, Hoet Bekaert, Ghent, Belgium. 2008 HALF OF WHAT I SAY IS MEANINGLESS, Cherry and Martin, Los Angeles, CA. 2007 Hoet Bekaert, Knokke, Belgium.

NOTHIN FUCKIN MATTERS, Cherry and Martin, Los Angeles, CA. 2006 gran-abertura, Western Exhibitions, Chicago, IL. Don't Front (You Know I Got Cha Open), Cherry and Martin, Los Angeles, CA. 2004 Season Finale, Western Exhibitions, Chicago, IL.

2003 The Earth is Rotating with this Room as its Axis, Soap Factory, Minneapolis, MN. Scene of Changery, Dogmatic, Chicago, IL.

2017 99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, MI (forthcoming). 2016 Good Dreams, Bad Dreams - American Mythologies, The Aishti Foundation, Jal el Dib, Lebanon.

Wasteland: Art from Los Angeles, curated by Shamim Momin, Mona Bismarck American Center, Paris, FR. 2015 No Man's Land, The Rubell Family Collection, Miami, FL. Feed the Meter, Galerie Bernard Ceysson, Luxembourg. A Painting Is A Painting Isnt A Painting, Kadist Foundation, San Francisco, CA. SAIC Anniversary Alumni Exhibition, Curated by Scott and Tyson Reeder, Sullivan Galleries, Chicago, IL.

Image Objects, Public Art Fund Commission, City Hall Park, New York, NY (forthcoming). Under Construction, Parámo, Guadalajara, Mexico.

SOGTFO, François Ghebaly Gallery, Los Angeles, CASmall Sculpture, Shane Campbell Gallery, Chicago, IL. Basement Folds, Claremont Graduate University Gallery, Claremont, CA. Womanhouse, Eric Firestone Gallery, East Hampton, NY.

Poses & Play, La Brasserie, Foncquevillers, France. Thief Among Thieves, Museum of Contemporary Art Denver, Denver, CO. Entering the (sub)Textiles, Künstlerhaus - Halle für Kunst & Medien, Graz, Austria. 2014 Shakti, Brand New Gallery, Milan, Italy.

Infinitude, Roberts & Tilton, Culver City, CA. The White Album, curated by Gladys-Katherina Hernando, Richard Telles Fine Art, Los Angeles, CA. Summer & sUMMER, Michael Jon Gallery, Detroit, MI; Michael Jon Gallery, Miami, FL.

PICTURE THIS, Kunsthalle St Gallen, St Gallen, Switzerland; SALTS, Birsfelden, Switzerland. Soft Target, M+B, Los Angeles, CA. Just came to say HELLO, Klemm's, Berlin, Germany. Tragedy + Time, Public Fiction/Hammer Museum, Los Angeles, CA. Unfinished Season, Galerie Christian Nagel, Cologne, Germany.

Inaugural Show, Loudhailer Gallery, Los Angeles, CA. Amy+John+Amanda (Amy Yao, John Riepenhoff, Amanda Ross-Ho), Artist Curated Projects, Los Angeles, CA.

2013 Image Transfer, Salina Art Center, Salina, KS. Painting in Place, LAND, Los Angeles, CA. You Are Here, Worcester Art Museum, Worcester, MA. In the Cut: Collage as Idea, Australian Centre for Contemporary Art, Melbourne, Australia. ANAMERICANA, American Academy in Rome, curated by Vincenzo de Bellis, Rome, Italy.

Camp Paradox Days, The University of the Arts Rosenwald-Wolf Gallery, Philadelphia, PA. Culm, Night Gallery, Los Angeles, CA.

TEN YEARS, Wallspace, New York, NY. Yes I Will Yes, American Contemporary, New York, NY. Stand-In, Albert Baronian, Brussels, Belgium. Set Pieces, Cardi Black Box, Milan, italy. 2012 Make Hay, David Petersen Gallery, Minneapolis, MN. Props for Memory, Invisible-Exports, New York, NY. Collage, Thaddaeus Ropac, Paris, France, with publication. Look Here Upon This Picture, Cherry and Martin, Los Angeles, CA. Pure Perception: Kristin Baker, Laura Owens, Mai-Thu Perret, Amanda Ross-Ho, curated by Margherita Artoni.

Monica de Cardenas, Milan, Italy. Prince at the forum, Beacon Arts Building, Los Angeles, CA. Pairings: The Collection at 50, Orange County Museum of Art, Newport Beach, CA.

Devouring Time, Western Bridge, Seattle, WA. Special Blend, The Journal, Brooklyn, NY. Image Transfer, Newcomb Art Center at Tulane University, New Orleans, LA. 2011 Two Schools of Cool, Orange County Museum of Art, Newport Beach, CA (catalog).

Disorder, Todd Madigan Gallery, California State University Bakersfield, Bakersfield, CA. George Herms: Xenophilia (Love of the Unknown), Museum of Contemporary Art, Los Angeles, CA.

Painting Expanded, Tanya Bonakdar, New York, NY. Greater LA, 483 Broadway, New York, NY. NOT THE WAY YOU REMEMBERED, Queens Museum of Art, Queens, NYHuman. Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA. Peeler Art Center, Depauw University, Greencastle, IN; Center for Art, Design and. Visual Culture, University of Maryland, Baltimore, MD. Banquet of the Black Jackal, Luckman Gallery, Cal State, Los Angeles, CA (catalog). 2010 Drawing, Shane Campbell Gallery, Chicago, IL.

How Soon Now, Rubell Family Collection, Miami, FL. Free, New Museum, New York, NY. New Photography 2010, Museum of Modern Art, New York, NY. Image Transfer, Henry Art Gallery, Seattle, WA (catalog). Jerry/Jury-Rigged, curated by Jan Tumlir, Glendale Community College Art Gallery, Glendale, CA.

Artist's Museum, Museum of Contemporary Art, Los Angeles, CA. Doctor Zomb, Glendale Community College Art Gallery, Glendale, CA. Endless Bummer / Surf Elsewhere, Blum and Poe, Los Angeles, CA. Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles, CA. They Have Not the Art to Argue with Pictures, Cherry and Martin, Los Angeles, CA. Production Site: The Artist's Studio Inside and Out, Museum of Contemporary Art, Chicago, IL.

The Never Ending Story: Fairytale, Fantasy, Obsession, curated by Laura Hoptman, Royal/T, Los Angeles, CA. Crosstown Traffic, Wentrup Gallery, Berlin, Germany. FAX, Burnaby Art Gallery, Burnaby, Canada. Para/Site Art Space, Hong Kong. 2009 Picturing The Studio, School of the Art Institute of Chicago, Chicago, IL.

In Bed Together, Royal/T, Los Angeles, CA. Chinese Box, Overduin and Kite, Los Angeles, CA. Wallworks, Yerba Buena Arts Center, San Francisco, CA. Interiority Complex, Artist Curated Projects, Los Angeles, CA. Bitch Is The New Black, Honor Fraser, Los Angeles, CA.

Summer Group Show, Mitchell-Innes and Nash, New York, NY. July Artist of the Month, Invisible Exports, New York, NY.

To The Left of The Rising Sun, Small A Projects, New York, NY. Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK. Selected Works from the MCA Collection, MCA Chicago, Chicago, IL. Spoils & Relics: Henning Bohl, Michael Hakimi, Amanda Ross-Ho, The approach, London, UK.

FIRST SHOW, Cherry and Martin, Los Angeles, CA. FAX, The Drawing Center, New York, NY; traveled to Contemporary Museum, Baltimore, MD and Torrance Art.

Make Room, Atlanta Contemporary Art Center, Atlanta, GA. LA Woman, Hanes Art Gallery, Wake Forest University, Winston Salem, NC. 2008 The Station, curated by Shamim Momin and Nate Lowman, Miami, FL. Indirect Object: Matt Mullican, Cady Noland, Amanda Ross-Ho, Frances Stark, Mitchell-Innes & Nash, New York.

Dogtooth and Tessellate, The approach, London, UK 2008 California Biennial, Orange County Museum of. Art, Newport Beach, CA (catalog).

Index: Conceptualism In California From The Permanent Collection, Museum of Contemporary Art, Los Angeles. A tellurian complex, john connelly presents, New York, NY. Whitney Biennial, Whitney Museum of American Art, New York, NY (catalog). Chinaman's Chance, Pacific Asia Museum, Pasadena, CA.

Depositions, Galerie Francesca Pia, Zurich, Switzerland. Nina in Position, Artists Space, New York, NY. Vaginal Rejuvenation, Guild and Greyshkul, New York, NY. 2007 for REE, Marc Foxx Gallery, Los Angeles, CA. OPEN, Hoet Bekaert Gallery, Ghent, Belgium. Sculptors' Drawings, Angles Gallery, Santa Monica, CA. Post-Rose: Artists In And Out of The Hazard Park Complex, Christian Nagel, Berlin, Germany. Sonotube Forms, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA.

Kantor/Feuer Gallery, Los Angeles, CA. Me, you, you, a ventriloquy, Small A Projects, Portland, OR. Distinctive Messengers, House of Campari, Los Angeles, CA. Obscene Soft Sounds, Wallspace, New York, NY. Photographs, AR Fine Art, Milan, Italy.

2006 Dice Thrown (Will Never Annul Chance), Bellwether, New York, NY. 666, curated by Jan Tumlir, USC Roski School of the Arts, Los Angeles, CA. 2005 State of Emergence, Track 16 Gallery, Los Angeles, CA. Hella Chihuahuas, Platform China, Beijing, China.

Things We Said Wed Never Do Again, Western Exhibitions, Chicago, IL. Spring Break, ArtLedge, Chicago, IL. Museum of Contemporary Art Chicago.

2004 Battle of the Dimensions, Stichting Kunst and Complex, Rotterdam, The Netherlands Extended Family, Publico. Drunk vs, Stoned, Gavin Browns Enterprise, New York, NY. This Thing We Do, Western Exhibitions, Chicago, IL. Welcome to Wonderland, 1R Gallery, Chicago, IL. 100 Cuts, Gallery 312, Chicago, IL.

Uncovered Chicago, Museum of Contemporary Art, Chicago, IL. 2003 Dont Fail Me Now, TBA Gallery, Chicago, IL. Amanda Ross-Ho and David Baptiste-Chirot, Jody Monroe Gallery, Milwaukee, WI Glossing, 1R Gallery, Chicago, IL. 9th Annual University Exhibit, Northern Indiana Art Association, Munster, IN.

Really Real, Gallery 312, Chicago, IL. Subtle, Not So Subtle, 1R Gallery, Chicago, IL. 2002 Just What it Says, Bodybuilder and Sportsman, Chicago, IL. Canadian Thanksgiving, Robert DeCaprio Gallery, Palos Hills, IL.

81/2' X 11', Bodybuilder and Sportsman, Chicago, IL. Reconfiguring Pop, Gallery 2, Chicago, IL. Thrill 2, Joymore, Chicago, IL. Moxie, Three Arts Club, Chicago, IL. 2001 Bastard:Son of Hot Sauce, Law Office, Chicago, IL.

Outside the Box, Lemp Brewery, St. Day Job, Open End, Chicago, IL.

Flowers are Meant to be Picked, A. 2000 Significant/Signifiers, Ukranian Institute of Modern Art, Chicago, IL. Ball and Chain, Skokie Sculpture Park, Skokie, IL. Counter Productive Industries, 1926 Space, Chicago, IL.

Image Object Looks at the Relationship Between the Virtual and the Physical. Galería Diéresis muta a Páramo.

Contemporary Art Review LA, June 2015. La galería Páramo se inaugura con una obra en construcción. La Jornada Jalisco, May 31, 2015.

The Public Art Fund Brings Digitally Manipulated Sculpture to City Hall Park. Visual Art Source, May 2013. Amanda Ross-Ho creates a public work with the public very much in mind. Take Your Picture with an Oversize Neosurrealist Dream Head. Museum of Contemporary Art, Los Angeles, 2012.

AMANDA ROSS-HO, Chance Favors the Prepared Mind, exhibition catalog. Contemporary Art, Los Angeles, 2012: pp. Sad is Stupid Big: Amanda Ross-Ho In Conversation with Joao Ribas, April 2012, AMANDA ROSS-HO.

Museum of Contemporary Art, Los Angeles, 2012: pp. Amanda Ross-Ho MOCA Pacific Design Center.

Artillery, September October 2012: pp. Flash Art International, July September 2012: pp.

Soto, Paul, Biographical Marks: Q+A with Amanda Ross-Ho. Art Review: Amanda Ross-Ho: Teeny Tiny Woman translates well. September Preview Week: Lower East Side Openings.

Art The Wont Break the Bank. Last Magazine, September 19, 2012. Making it clear in her own time.

Los Angeles Times, July 3, 2012. Blog on Paper, double, 23 printemps-ete 2012, p. 16, 66, 69, 70, 83.

At OCMA, Its Tag Team Time! OC Weekly, Jan 19, 2012. Los Angeles Times, January 1, 2012. Might be good, Issue 164, March 4, 2011.

Frieze Magazine, March 2011: pp. Amanda Ross-Ho: UNTITLED NOTHING FACTORY, Visual Arts Center, The University of Texas. Amanda Ross-Ho: A Stack of Black Pants. Free: New Museum of Contemporary Art, New York.

Might be good, Issue 160, January 7, 2011. The California Conceptualist Unfurls Form and Structure. The New Yorker, October 18, 2010: pp.

Ignoring Boundaries and Borrowing Freely. The New York Times, October 7, 2010: pp. In The Studio: A playful stage for Amanda Ross-Ho.

Los Angeles Times, August 22, 2010: pp. LA Weekly, May 20, 2010. A look inside the artist's studio.

Chicago Tribune, May 7, 2010. Jacob, Mary Jane and Grabner, Michelle, eds.

The Studio Reader: On the Space of Artists, Chicago: University. Of Chicago Press, 2010: pp.

Amanda Ross-Ho,'SOMEBODY STOP ME'. Time Out New York, April 29, 2010. Absence and Presence in Amanda Ross-Ho's Somebody Stop Me. The New Yorker, April 26, 2010: pp. In the Studio: Amanda Ross-Ho. Art in America, April 2010, No. Bright young things: ones to watch. The Independent, October 9, 2009. On The Radar: Seventeen Artists You Should Know About. Abstract America: New Painting and Sculpture.

Time Out London, June 4, 2009. Give Credit to the Crunch. The Sunday Times, May 17, 2009.

Frankfurter Allgemeine Zeitung, Kunstmarkt Seite 42, May 16. The New York Times, Friday, December 19, 2008. Follow The Clues and, aha! Los Angeles Times, October 10, 2008, p. Free Skating, LA Weekly, September 26 - October 2, 2008: pp.

Young At Art: 15 Artists Under 35. Mousse, Issue 13, March 2008, pp.

The New York Times, March 7, 2008. Conde Nast Portfolio, March 2008: pp.

Modern Painters, March 2008: pp. Amanda Ross-Ho and Kirsten Stoltmann. The New York Times, Friday, February 15, 2008: pp.

NY Arts, Vol 13, No ½, Jan. Village Voice, January 30 - February 5, 2008. Whitney Biennial Stretches to Armory.

The New York Times, November 16, 2007. Amanda Ross-Ho at Cherry and Martin.

Artweek, Volume 38, Issue 4, May 2007: pp. "Amanda Ross-Ho, " Modern Painters, May 2007, p.

Amanda Ross-Ho: Nothin Fuckin Matters. Art Review, issue 10: pp. Rants and Raves: Amanda Ross-Ho. NYFA Interactive, March 21, 2007. First Takes: 10 Writers On Up-and-Coming Artists. Dice Thrown (Will Never Annul Chance). The New York Times, November 3, 2006: pp.

Time Out, Issue 579, November 2-8, 2006. State of Emergence: Undiscovered Cracks in the Art-World Infrastructure. Don't Fail Me Now at TBA. Best of Chicago 2003: Best art opening-night parties. New Name Artists at No Name Gallery.

The item "California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50" is in sale since Friday, October 27, 2017. This item is in the category "Art\Art Prints".

The seller is "upstatetreasures14" and is located in Kingston, New York. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Israel, Mexico, New Zealand, Singapore, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion.


California Contemporary Artist Amanda Ross Ho. Signed Mixed Media Piece L/E 9/50


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